Laurence Hélie
Another slice of sweet Quebec Country-Folk… sigh…
"À présent le passé" ("Right now the past") is Quebec singer-songwriter - and fellow lefty (see, us lefties have a naturally artistic bent) - Laurence Hélie's follow-up to her 2010 award winning eponymous debut album. (And I can't help but notice that Chantal Archambault's debut album "La romance des couteaux" was amongst the nominees…)
Whereas her debut album nailed its colours unashamedly to a Western-tinged Country mast, "À présent le passé" is a far more ambitious affair. To be sure there's still a country influence, but this time around there's an encompassing feel for pop, folk, jazz and blues. The end result is a far more expansive and accessible affair.
The title is very much a description of the musical road this album has taken. While the songs are very much of today ("Right now") and mine that rich seam of contemporary French-Canadian folk, there's a solid foundation ("the past") in the rich heritage of Americana - country, and the aforementioned folk and blues - that is evident through-out.
The album is very cleverly constructed; the opening title track has that familiar country undertone, only matched by a passionate vocal performance, that gives the impression of a linear progression from her 2010 debut.
By the second track however, "De tout et de rien", the jazz and folk roots are definitely making themselves heard. There's a great snare percussion and double-bass beat that permeates throughout the track, while the song gives Laurence a chance to admirably demonstrate her vocal range.
As hinted above, there's a great mix of tempos and styles running throughout. "Fille western et chasseur de primes" ("The cowgirl and the bounty hunter") is a wonderfully upbeat number - chock with references to "old movies and videos" - and as it appears that every great record coming out of Quebec this year has at least one absolutely nailed-on haunting ballad, so this album is no exception. In fact there are two on display here: The melancholic and semi-autobiographical "trente ans" and "La rivière" - all piano intertwined with snare and base (again), which has rapidly embedded itself into my subconscious. It really is a beautiful arranged and soulful song.
Released at the beginning of the month on Simone Records (home to - amongst others - Marie-Pierre Arthur and the absolutely incredible Forêt, "À présent le passé" is an accomplished album containing ten polished gems from an artist expanding her musical horizons with some panache...
"À présent le passé" ("Right now the past") is Quebec singer-songwriter - and fellow lefty (see, us lefties have a naturally artistic bent) - Laurence Hélie's follow-up to her 2010 award winning eponymous debut album. (And I can't help but notice that Chantal Archambault's debut album "La romance des couteaux" was amongst the nominees…)
Whereas her debut album nailed its colours unashamedly to a Western-tinged Country mast, "À présent le passé" is a far more ambitious affair. To be sure there's still a country influence, but this time around there's an encompassing feel for pop, folk, jazz and blues. The end result is a far more expansive and accessible affair.
The title is very much a description of the musical road this album has taken. While the songs are very much of today ("Right now") and mine that rich seam of contemporary French-Canadian folk, there's a solid foundation ("the past") in the rich heritage of Americana - country, and the aforementioned folk and blues - that is evident through-out.
The album is very cleverly constructed; the opening title track has that familiar country undertone, only matched by a passionate vocal performance, that gives the impression of a linear progression from her 2010 debut.
By the second track however, "De tout et de rien", the jazz and folk roots are definitely making themselves heard. There's a great snare percussion and double-bass beat that permeates throughout the track, while the song gives Laurence a chance to admirably demonstrate her vocal range.
As hinted above, there's a great mix of tempos and styles running throughout. "Fille western et chasseur de primes" ("The cowgirl and the bounty hunter") is a wonderfully upbeat number - chock with references to "old movies and videos" - and as it appears that every great record coming out of Quebec this year has at least one absolutely nailed-on haunting ballad, so this album is no exception. In fact there are two on display here: The melancholic and semi-autobiographical "trente ans" and "La rivière" - all piano intertwined with snare and base (again), which has rapidly embedded itself into my subconscious. It really is a beautiful arranged and soulful song.
Released at the beginning of the month on Simone Records (home to - amongst others - Marie-Pierre Arthur and the absolutely incredible Forêt, "À présent le passé" is an accomplished album containing ten polished gems from an artist expanding her musical horizons with some panache...
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